This is a record.
This is the beginning of a project that will address a specific example of a larger occurrence.
It is one iteration of an ongoing cycle.
It is defined by dichotomies held as constructed truths:
abled/disabled
healthy/sick
present/absent
victim/perpetrator
I aim, as many performance artists and theorists do, to blur these seemingly obdurate bifurcations, and explore, rather, the liminal space that exists in, out, around, under, and above this boundaries. While I am aware that many before me have paved the way in exploring these ideas, I hope to use movement, my first language, to articulate the tensions--and release; the relations in space--and dimension; the moments of stillness.
This is a record of a beginning, the mobilization of movement.
Topics addressed:
Dance Movement Therapy
Kinesthetic empathy
Notions of "retribution" for war
Transgenerational effects of war
Transgenerational trauma
Aesthetic concepts:
negative space
absence/presence
missing/disappearance
> How does one's relation to something change after it is no longer physically present?
1. anesthetize
phrase using large arm circles,
minimized to certain body parts,
anesthetizing certain parts at a time
shoulder blade, upper arm, elbow, wrist, ongles
2. crawling
pushing/falling from different parts in the body
Resources:
David Alan Harris
DMT work with PTSD child soldiers in Sierra Leone
Trauma and Recovery
Judith Berman
Body in Pain
Elaine Scarry
Aspen Institute
Walter Isaacson
http://www.c-span.org/Watch/Media/2010/06/16/WJE/A/34286/Walter+Isaacson+Aspen+Institute+President+CEO.aspx
Of Performance and the Persistent Temporality of Trauma: Memory, Art, and Visions
Boresth Ly
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